Goosebumps spooks Spies, Crimson Peak at box office

2015-10-19 14:56


Los Angeles — Scare-seeking audiences preferred the family-friendly Goosebumps over the gothic horror of Guillermo del Toro's haunted house pic Crimson Peak two weekends out from Halloween.

Sony's Goosebumps, based on the popular book series, earned $23.5m out of the gates to take the first-place spot, while del Toro's Crimson Peak languished at fourth with $12.8m.

Goosebumps also managed to beat The Martian by a hair, pushing Ridley Scott's space adventure to the second-place spot for the first time in its three-week run with $21.5m.

Starring Jack Black as author R.L. Stine, Goosebumps cost a reported $58m to produce. Audiences, 59% of whom were under the age of 25, gave the film a promising "A" CinemaScore, and reviews have been mostly favourable for the PG-rated pic.

"It's set up so well for not only this weekend, but for the rest of the fall," said Rory Bruer, Sony's president of worldwide distribution. "The word of mouth is just terrific. I think we were able to convey how much fun the film is for the entire family, no matter what their age."

The Halloween-timing didn't necessarily help Crimson Peak, though. The Legendary film, distributed by Universal, failed to attract a significant audience in its debut. Those who did turn out gave the film a lousy B- CinemaScore.

It's one of del Toro's lowest wide openings; 1997's "Mimic" earned only $7.8m in its first weekend in theatres.

One of the issues is that the movie, starring Mia Wasikowska, Jessica Chastain and Tom Hiddleston, is rated R, and therefore has a more limited audience. Also, despite promises of a haunted house, the film, which cost a reported $55m to produce, is more of a gothic romance than a classic horror.

"It's not a slasher movie, it's not a PG-13 movie aimed at the date crowd. It's more of a sophisticated movie," said Paul Dergarabedian, Rentrak's senior media analyst.

"Del Toro has passionate fans for films that give this sort of approach to topics," said Nick Carpou, Universal's president of domestic distribution. In an exit poll, 45% of respondents said that they went because it was a del Toro movie. But that fandom, it seems, is limited in box-office impact.

Also on the lower end, Steven Spielberg's well-received cold-war thriller Bridge of Spies, meanwhile, debuted in third-place with $15.4m from 2,811 theatres.

Despite the PG-13 rating, audiences for the $40m film starring Tom Hanks were overwhelmingly adult. An estimated 88% were over the age of 25, according to a Rentrak survey.

"This is a movie that will have a very long life in theaters. Older audiences won't rush out and may even wait until mid-week to see the film in theaters," Dergarabedian said.

"It's a very solid start and is setting it up for a really great run overall," said Dave Hollis, Disney's executive vice president of distribution.

Bridge of Spies, like other adult-themed films, will be playing the long game across the fall and the beginning of awards season.

"We have to look at the fall movie season as a marathon, not a sprint like summer," Dergarabedian said.

Beasts of No Nation, meanwhile, failed to ignite a day and date revolution. The film, produced by Netflix, debuted simultaneously on the streaming platform and in theaters Friday. Its earned only $50 699 from 31 theaters for a lackluster $1 635 per theatre average.

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