The Hobbit stays top for third week

2012-12-31 11:00
Christy Lemire

Los Angeles - The Hobbit: An Unexpected Journey continues to rule them all at the box office, staying on top for a third-straight week and capping a record-setting $10.8 billion year in moviegoing.

The Warner Bros fantasy epic from director Peter Jackson, based on the beloved JRR Tolkien novel, made nearly $33m this weekend, according to Sunday studio estimates, despite serious competition from some much-anticipated newcomers. It's now made a whopping $686.7m worldwide and $222.7m domestically alone.

Two big holiday movies - and potential Academy Awards contenders - also had strong openings. Quentin Tarantino's spaghetti Western-blaxploitation mash-up Django Unchained came in second place for the weekend with $30.7m. The Weinstein Co revenge comedy, starring Jamie Foxx as a slave in the Civil War South and Christoph Waltz as the bounty hunter who frees him and then makes him his partner, has earned $64m since its Christmas Day opening.

Skyfall tops $1bn internationally

And in third place with $28m was the sweeping, all-singing Les Miserables, based on the international musical sensation and the Victor Hugo novel of strife and uprising in 19th century France. The Universal Pictures film, with a cast of A-list actors singing live on camera led by Hugh Jackman, Anne Hathaway and Russell Crowe has made $67.5m domestically and $116.2m worldwide since debuting on Christmas.

Additionally, the smash-hit James Bond adventure Skyfall has now made $1bn internationally to become the most successful film yet in the 50-year franchise, Sony Pictures announced Sunday. The film stars Daniel Craig for the third time as the iconic British superspy.

"This is a great final weekend of the year," said Paul Dergarabedian, an analyst for box-office tracker "How perfect to end this year on such a strong note with the top five films performing incredibly well."

The week's other new wide release, the Billy Crystal-Bette Midler comedy Parental Guidance from 20th Century Fox, made $14.8m over the weekend for fourth place and $29.6m total since opening on Christmas.

Dergarabedian described the holding power of The Hobbit in its third week as "just amazing". Jackson shot the film, the first of three prequels to his massively successful The Lord of the Rings series, in 48 frames per second - double the normal frame rate - for a crisper, more detailed image. It's also available in the usual 24 frames per second and both 2D and 3D projections.

'Seeing it in multiple formats'

"I think people are catching up with the movie. Maybe they're seeing it in multiple formats," he said. "I think it's just a big epic that feels like a great way to end the moviegoing year. There's momentum there with this movie."

Django Unchained is just as much of an epic in its own stylishly violent way that's quintessentially Tarantino. Erik Lomis, The Weinstein Co's president of theatrical distribution, said the opening exceeded the studio's expectations.

"We're thrilled with it, clearly. We knew it was extremely competitive at Christmas, particularly when you look at the start Les Miz got. We were sort of resigned to being behind them. The fact that we were able to overtake them over the weekend was just great," Lomis said. "Taking nothing away from their number, it's a tribute to the playability of Django."

Les Miserables went into its opening weekend with nearly $40m in North American grosses, including $18.2m on Christmas Day. That's the second-best opening ever on the holiday following Sherlock Holmes, which made $24.9m on Christmas 2009. Tom Hooper, in a follow-up to his Oscar-winner The King's Speech, directs an enormous, ambitious take on the beloved musical which has earned a CinemaScore of "A" from audiences and "A-plus" from women.

'People were shocked'

Nikki Rocco, Universal's head of distribution, said the debut for Les Miserables also beat the studio's expectations.

"That $18.2m Christmas Day opening - people were shocked ... This is a musical!" she said. "Once people see it, they talk about how fabulous it is."

It all adds up to a record-setting year at the movies, beating the previous annual record of $10.6bn set in 2009. Dergarabedian pointed out that the hits came scattered throughout the year, not just during the summer blockbuster season or prestige-picture time at the end.

Contraband, Safe House and The Vow all performed well early on, but then when the big movies came, they were huge. The Avengers had the biggest opening ever with $207.4m in May. The raunchy comedy Ted and comic-book behemoth The Dark Knight Rises both found enormous audiences. And Paul Thomas Anderson's challenging drama The Master shattered records in September when it opened on five screens in New York and Los Angeles with $736 311, for a staggering per-screen average of $147 262.

"We were able to get this record without scratching and clawing to a record," he said.